| Führung durch die Ausstellung / Guided Tour | An Incomplete Assembly: Führung durch die Ausstellung |
|
| Festivaleröffnung / Festival Opening | Festival Opening: Festivaleröffnung |
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| Palestine Library Frankfurt | An Incomplete Assembly | |
| Aaltonen, Severi | Spectator | Campus: Royal Academy of Art, Den Haag: Civil Crop |
| Acton, Arlo | Music with Balls | Expanded Cinema: Unburdened Recollections 2 |
| Adams, India Marie | Führung zu Ermittlungsorten und Crime Board | Campus |
| Adams, India Marie | Investigativworkshop zu wasserbasierter Beweisaufnahme | Campus |
| Adams, India Marie | Hauntologist Witness Rewind | Campus |
| Afsah, Yalda | Jarramplas | An Incomplete Assembly: An Incomplete Assembly |
| Al Zubaidi, Mustafa |  / Aloud |
Campus: HfK Bremen |
| Al-Sharif, Basma | Morgenkreis / Morning Circle | Film: In Excess of Measures |
| Aljafari, Kamal | With Hasan in Gaza | Feature Films |
| Alternative Monument Collective | Alternatives Denkmal für Deutschland (ADfD) | Tales of Monuments, Blockades and Imaginaries |
| Alternative Monument Collective | Alternatives Denkmal für Deutschland (ADfD) / Alternative Monument for Germany | An Incomplete Assembly: An Incomplete Assembly |
| Any Jackson Chaturanga | / Aloud |
Campus: HfK Bremen |
| Aung, Lin Htet | အသွင်ပြောင်းလဲခြင်းတစ်ခု / A Metamorphosis | Film: For Counter-Notation |
| Baldi, Bianca | Hear her calendar system a year of thirteen months | An Incomplete Assembly: An Incomplete Assembly |
| Barber, Stephanie | pressing | Film: In the Presence of Form |
| Barea, María | Antuca | An Incomplete Assembly: They Gave Us Flames, We Made a Fire 4 |
| Barki, Orian | Bouchra | Feature Films |
| Bartlett, Scott | OffOn | Expanded Cinema: Unburdened Recollections 2 |
| Bayraktar, Ege | Führung zu Ermittlungsorten und Crime Board | Campus |
| Bayraktar, Ege | Investigativworkshop zu wasserbasierter Beweisaufnahme | Campus |
| Bayraktar, Ege | Hauntologist Witness Rewind | Campus |
| Belson, Jordan | Phenomena | Expanded Cinema: Unburdened Recollections 1 |
| Belson, Jordan | Samadhi | Expanded Cinema: Unburdened Recollections 1 |
| Belson, Jordan | Momentum | Expanded Cinema: Unburdened Recollections 1 |
| Bennani, Meriem | Bouchra | Feature Films |
| Bermudez, Magdalena | Hiding Places | Film: In the Presence of Form |
| Bitton, Simone | Mahmoud Darwich: As the Land Is the La / Mahmoud Darwich: As the Land Is the Language ... | Artist in Focus. Marwa Arsanios: Programm 6 |
| Blaschke, Leander | Führung zu Ermittlungsorten und Crime Board | Campus |
| Blaschke, Leander | Investigativworkshop zu wasserbasierter Beweisaufnahme | Campus |
| Blaschke, Leander | Hauntologist Witness Rewind | Campus |
| Brathwaite-Shirley, Danielle | Make the Silence Count | Tales of Monuments, Blockades and Imaginaries |
| Brinkmann, Anastasia | Timebased Media Art | Campus: Instituts für Kunst/Kunstpädagogik der Universität Osnabrück |
| Brüning, Lilly | Überfragt | Campus: Musik und Kunstschule der Stadt Osnabrück: Überfragt |
| Budiman, Arief | Kota Emas / Golden Island | Film: In the Presence of Form |
| Bundschuh, Jona Xaver | Überfragt | Campus: Musik und Kunstschule der Stadt Osnabrück: Überfragt |
| Bussé, Sofie | On a Good Day, Only Moderately Precarious: Interventions / On a Good Day, Only Moderately Precarious: Interventionen | Campus: LUCA | School of Arts: On a Good Day, Only Moderately Precarious: Interventions |
| Bussé, Sofie | On a Good Day, Only Moderately Precarious: Film screening | Campus: LUCA | School of Arts: On a Good Day, Only Moderately Precarious: Film screening |
| Bussé, Sofie | On a Good Day, Only Moderately Precarious: Scenography | Campus: LUCA | School of Arts: On a Good Day, Only Moderately Precarious: Scenography |
| Bustos Chumasero, Jashua | / Aloud |
Campus: HfK Bremen |
| Böhme, Josefin | Timebased Media Art | Campus: Instituts für Kunst/Kunstpädagogik der Universität Osnabrück |
| Carina Exner | Timebased Media Art | Campus: Instituts für Kunst/Kunstpädagogik der Universität Osnabrück |
| Chai, Shiqi | / Aloud |
Campus: HfK Bremen |
| Chambaz, Anouk | Di Notte / At Night | Film: Figures of Dissolution |
| Cinequipa | Applied Magnetics – O Início de uma Luta / The Beginning of a Fight | An Incomplete Assembly: What Is Needed 1 |
| Collectif Faire-Part | What We Said to Brussels Airlines | Film: Under Structural Doubt |
| DeWitt Ditto, Tom | The Leap | Expanded Cinema: Unburdened Recollections 2 |
| Deeken, Jules | Timebased Media Art | Campus: Instituts für Kunst/Kunstpädagogik der Universität Osnabrück |
| Devulsky, Amanda | Vermelho Bruto / Rough Red | An Incomplete Assembly: They Gave Us Flames, We Made a Fire 3 |
| Dia, Priyageetha | Night Shift | Campus: Royal Academy of Art, Den Haag: Civil Crop |
| Diekhaus, Jonas | Überfragt | Campus: Musik und Kunstschule der Stadt Osnabrück: Überfragt |
| Dietl, Felicitas | Timebased Media Art | Campus: Instituts für Kunst/Kunstpädagogik der Universität Osnabrück |
| Düvel, Frauke | Überfragt | Campus: Musik und Kunstschule der Stadt Osnabrück: Überfragt |
| Eraslan, Cemre | Acorn is an Acronym | Campus: Royal Academy of Art, Den Haag: Civil Crop |
| Erhart, Tabea Felicitas Amrei | / Aloud |
Campus: HfK Bremen |
| Farkaš, Roland | °Re-Ver-°hear-sion-°sal 2 (Drill) | Campus: Royal Academy of Art, Den Haag: Civil Crop |
| Forschungsgruppe „Decoding the Colonial Algorithm“ | Führung zu Ermittlungsorten und Crime Board | Campus |
| Forschungsgruppe „Decoding the Colonial Algorithm“ | Investigativworkshop zu wasserbasierter Beweisaufnahme | Campus |
| Forschungsgruppe „Decoding the Colonial Algorithm“ | Hauntologist Witness Rewind | Campus |
| Fritzi Wagner | Überfragt | Campus: Musik und Kunstschule der Stadt Osnabrück: Überfragt |
| Fuentes Sadowski, Tatiana | La huella / The Imprint | An Incomplete Assembly: They Gave Us Flames, We Made a Fire 2 |
| Fuentes Sadowski, Tatiana | La memoria de las mariposas / The Memory of Butterflies | An Incomplete Assembly: They Gave Us Flames, We Made a Fire 2 |
| Gallisá Muriente, Sofía | Un Montón de Silencios / A Bundle of Silences | Film: In Excess of Measures |
| Hanneken, Katharina | Überfragt | Campus: Musik und Kunstschule der Stadt Osnabrück: Überfragt |
| Hensel, Jonas | Timebased Media Art | Campus: Instituts für Kunst/Kunstpädagogik der Universität Osnabrück |
| Hindryckx, Ray | On a Good Day, Only Moderately Precarious: Interventions / On a Good Day, Only Moderately Precarious: Interventionen | Campus: LUCA | School of Arts: On a Good Day, Only Moderately Precarious: Interventions |
| Hindryckx, Ray | On a Good Day, Only Moderately Precarious: Film screening | Campus: LUCA | School of Arts: On a Good Day, Only Moderately Precarious: Film screening |
| Hindryckx, Ray | On a Good Day, Only Moderately Precarious: Scenography | Campus: LUCA | School of Arts: On a Good Day, Only Moderately Precarious: Scenography |
| Huang, Ruomeng | / Aloud |
Campus: HfK Bremen |
| Hughes, Bethan | Built to Order I. Dreamstalker, Zornblume, Traumstaub, Falling Down | An Incomplete Assembly: An Incomplete Assembly |
| Igwe, Onyeka | Penkelemes | Film: In Excess of Measures |
| Ilic, Isidora | Laki štrajk | Tales of Monuments, Blockades and Imaginaries |
| Imanzadeh, Nezhla | Vista | Campus: Royal Academy of Art, Den Haag: Civil Crop |
| Jacoby, Daniel | Gallinazo | Film: Figures of Dissolution |
| Jaschnow, Juliane | Warnungen an die ferne Zukunft / Warnings to the Distant Future | Film: On Coming Down |
| Jiménez, José | Lengua Muerta / Dead Tongue | Film: Within Descent |
| Jochimsen, Ada | Avalanche Candy I | Campus: Royal Academy of Art, Den Haag: Civil Crop |
| Joudi, Eghbal | / Aloud |
Campus: HfK Bremen |
| June Paik, Nam | Beatles Electroniques | Expanded Cinema: Unburdened Recollections 2 |
| Keilig, Nora | On a Good Day, Only Moderately Precarious: Interventions / On a Good Day, Only Moderately Precarious: Interventionen | Campus: LUCA | School of Arts: On a Good Day, Only Moderately Precarious: Interventions |
| Keilig, Nora | On a Good Day, Only Moderately Precarious: Film screening | Campus: LUCA | School of Arts: On a Good Day, Only Moderately Precarious: Film screening |
| Keilig, Nora | On a Good Day, Only Moderately Precarious: Scenography | Campus: LUCA | School of Arts: On a Good Day, Only Moderately Precarious: Scenography |
| Kifu, Taufiqurrahman | Sharp Objects | Film: Figures of Dissolution |
| Kirchenbauer, Vika | This Suffocating Now | Film: Under Structural Doubt |
| Knaul, Leona | Überfragt | Campus: Musik und Kunstschule der Stadt Osnabrück: Überfragt |
| Knowlton, Ken | Enigma | Expanded Cinema: Unburdened Recollections 1 |
| Knowlton, Ken | UFOs | Expanded Cinema: Unburdened Recollections 1 |
| Knowlton, Ken | Poemfield 7 | Expanded Cinema: Unburdened Recollections 1 |
| Kusama, Yayoi | Kusama’s Self-Obliteration | Expanded Cinema: Unburdened Recollections 2 |
| Köckritz, Djamila | / Aloud |
Campus: HfK Bremen |
| Kötzle, Robin | Sehen wer wir sein (s|w)ollten / Seeing who we (sh|c)ould be | An Incomplete Assembly: An Incomplete Assembly |
| Labenz, Luna | Führung zu Ermittlungsorten und Crime Board | Campus |
| Labenz, Luna | Investigativworkshop zu wasserbasierter Beweisaufnahme | Campus |
| Labenz, Luna | Hauntologist Witness Rewind | Campus |
| Lampson, Mary | Underground | Feature Films |
| Larijani, Nasrin | / Aloud |
Campus: HfK Bremen |
| Lee, Seungeun | Führung zu Ermittlungsorten und Crime Board | Campus |
| Lee, Seungeun | Investigativworkshop zu wasserbasierter Beweisaufnahme | Campus |
| Lee, Seungeun | Hauntologist Witness Rewind | Campus |
| Lefkowitz, Myriam | Vestibule | An Incomplete Assembly: They Gave Us Flames, We Made a Fire 1 |
| Lindeque, Liesl | / Aloud |
Campus: HfK Bremen |
| Maas, Rosa | Führung zu Ermittlungsorten und Crime Board | Campus |
| Maas, Rosa | Investigativworkshop zu wasserbasierter Beweisaufnahme | Campus |
| Maas, Rosa | Hauntologist Witness Rewind | Campus |
| Maiburovaitė, Andrėja | Decomposition of Frames and Flowers | Campus: Royal Academy of Art, Den Haag: Civil Crop |
| Malas, Mohamad | Al-Manam / The Dream | Artist in Focus. Marwa Arsanios: Programm 3 |
| Manakina, Anna | Führung zu Ermittlungsorten und Crime Board | Campus |
| Manakina, Anna | Investigativworkshop zu wasserbasierter Beweisaufnahme | Campus |
| Manakina, Anna | Hauntologist Witness Rewind | Campus |
| Marcomini, Marina | / Aloud |
Campus: HfK Bremen |
| Marwa Arsanios | Who Is Afraid of Ideology? Part 3: Micro-resistencias | Artist in Focus. Marwa Arsanios: Programm 1 |
| Marwa Arsanios | Falling Is Not Collapsing, Falling Is Extending | Artist in Focus. Marwa Arsanios: Programm 1 |
| Marwa Arsanios | Who Is Afraid of Ideology? Part 4: Reverse Shot | Artist in Focus. Marwa Arsanios: Programm 1 |
| Marwa Arsanios | Amateurs, Stars and Extras or the Labor of Love | Artist in Focus. Marwa Arsanios: Programm 4 |
| Marwa Arsanios | Who is Afraid of Ideology? Part 5, Right of Passage | Artist in Focus. Marwa Arsanios: Programm 4 |
| Marwa Arsanios | Who Is Afraid of Ideology? Part 1 | Artist in Focus. Marwa Arsanios: Programm 5 |
| Marwa Arsanios | Have You Ever Killed a Bear or Becoming Jamila | Artist in Focus. Marwa Arsanios: Programm 5 |
| Marwa Arsanios | Who Is Afraid of Ideology? Part 2 | Artist in Focus. Marwa Arsanios: Programm 5 |
| Meine Fuentes, Moira Anouk | / Aloud |
Campus: HfK Bremen |
| Meškauskas, Jonas Motiejus | Carpet | Campus: Royal Academy of Art, Den Haag: Civil Crop |
| Mohr, Sarah Reva | sensational view, tired screams | An Incomplete Assembly: An Incomplete Assembly |
| Moolhuijsen, Martin | Katabasis | Film: Within Descent |
| Mosiashvili, Gocha | / Aloud |
Campus: HfK Bremen |
| O’Neill, Pat | 7362 | Expanded Cinema: Unburdened Recollections 1 |
| Peng Zuqiang | Afternoon Hearsay | Film: Under Structural Doubt |
| Peoples, Alee | Slowest Smile | Film: On Coming Down |
| Pereda, Nicolás | Lo demás es ruido / Everything Else Is Noise | Feature Films: Everything Else Is Noise |
| Phuntsog, Tenzin | Next Life | Feature Films |
| Piron, Adam | The Early Sun, Red as a Hunter's Moon | Film: For Counter-Notation |
| Pirondi, Leonardo | Suíte dos Viajantes / Travelers' Suite | Film: For Counter-Notation |
| Popivoda, Marta | SLET 1988 | Film: For Counter-Notation |
| Qi, You | Führung zu Ermittlungsorten und Crime Board | Campus |
| Qi, You | Investigativworkshop zu wasserbasierter Beweisaufnahme | Campus |
| Qi, You | Hauntologist Witness Rewind | Campus |
| Qianqian, Feng | Führung zu Ermittlungsorten und Crime Board | Campus |
| Qianqian, Feng | Investigativworkshop zu wasserbasierter Beweisaufnahme | Campus |
| Qianqian, Feng | Hauntologist Witness Rewind | Campus |
| Reinke, Steve | Make Heaven Crowded | Film: On Coming Down |
| Riley, Terry | Music with Balls | Expanded Cinema: Unburdened Recollections 2 |
| Rogalska, Alicja | What if We Tried This | Tales of Monuments, Blockades and Imaginaries |
| Rojas Arias, María | Jirapo | Film: From the Divide |
| Rroomba H-1648 | Führung zu Ermittlungsorten und Crime Board | Campus |
| Rroomba H-1648 | Investigativworkshop zu wasserbasierter Beweisaufnahme | Campus |
| Rroomba H-1648 | Hauntologist Witness Rewind | Campus |
| Saenjaroen, Tulapop | Local Sensations | Film: In the Presence of Form |
| Sanbar, Elias | Mahmoud Darwich: As the Land Is the La / Mahmoud Darwich: As the Land Is the Language ... | Artist in Focus. Marwa Arsanios: Programm 6 |
| Schemmel, Anton Pelle | / Aloud |
Campus: HfK Bremen |
| Schilowski, Julia | Timebased Media Art | Campus: Instituts für Kunst/Kunstpädagogik der Universität Osnabrück |
| Schmid, Viktoria | Rojo Žalia Blau | Film: Figures of Dissolution |
| Schofill, John | XFilm | Expanded Cinema: Unburdened Recollections 1 |
| Schroeder, Stefanie | Warnungen an die ferne Zukunft / Warnings to the Distant Future | Film: On Coming Down |
| Schwartz, Lillian | Enigma | Expanded Cinema: Unburdened Recollections 1 |
| Schwartz, Lillian | UFOs | Expanded Cinema: Unburdened Recollections 1 |
| Shilleh, Reem | Perpetual Recurrences | Artist in Focus. Marwa Arsanios: Programm 2 |
| Smith, Susan | On a Good Day, Only Moderately Precarious: Interventions / On a Good Day, Only Moderately Precarious: Interventionen | Campus: LUCA | School of Arts: On a Good Day, Only Moderately Precarious: Interventions |
| Smith, Susan | On a Good Day, Only Moderately Precarious: Film screening | Campus: LUCA | School of Arts: On a Good Day, Only Moderately Precarious: Film screening |
| Smith, Susan | On a Good Day, Only Moderately Precarious: Scenography | Campus: LUCA | School of Arts: On a Good Day, Only Moderately Precarious: Scenography |
| Soldati, Margherita | I hate her, I want to become her | Campus: Royal Academy of Art, Den Haag: Civil Crop |
| Soueid, Mohamed | My Heart Beats Only for Her | Feature Films |
| Stoltz, Mike | PINKTONED | Film: In Excess of Measures |
| Subrin, Elisabeth | Manal Issa, 2024 | Film: Under Structural Doubt |
| Tafakory, Maryam | گلهای شب ِدریا / Daria’s Night Flowers | Film: Figures of Dissolution |
| Tambellini, Aldo | Black TV | Expanded Cinema: Unburdened Recollections 2 |
| Teli, Kevi | / Aloud |
Campus: HfK Bremen |
| Tsviatkova, Yuliya | In the Animal's Skin | Film: From the Divide |
| Ulas, Helin | Führung zu Ermittlungsorten und Crime Board | Campus |
| Ulas, Helin | Investigativworkshop zu wasserbasierter Beweisaufnahme | Campus |
| Ulas, Helin | Hauntologist Witness Rewind | Campus |
| Utkarsh | A Circle as the Center of the Whole | Film: On Coming Down |
| Valdespino Prieto, Gabriela | / Aloud |
Campus: HfK Bremen |
| VanDerBeek, Stan | Poemfield 7 | Expanded Cinema: Unburdened Recollections 1 |
| Venrooij, Esther | On a Good Day, Only Moderately Precarious: Interventions / On a Good Day, Only Moderately Precarious: Interventionen | Campus: LUCA | School of Arts: On a Good Day, Only Moderately Precarious: Interventions |
| Venrooij, Esther | On a Good Day, Only Moderately Precarious: Film screening | Campus: LUCA | School of Arts: On a Good Day, Only Moderately Precarious: Film screening |
| Venrooij, Esther | On a Good Day, Only Moderately Precarious: Scenography | Campus: LUCA | School of Arts: On a Good Day, Only Moderately Precarious: Scenography |
| Virri, Saarlotta | Muistot liikkuvat kuin kaukaiset saaret / Memories Move Like Distant Islands | Film: From the Divide |
| Von der Heide, Max | Überfragt | Campus: Musik und Kunstschule der Stadt Osnabrück: Überfragt |
| Vora, Chetna | Frauen in Berlin / Women in Berlin | Feature Films: Frauen in Berlin |
| WGBH | The Medium is the Medium | Expanded Cinema: Unburdened Recollections 2 |
| Wade, Hattie | Sharp Objects | Film: Figures of Dissolution |
| Warmi Cine y Video | Antuca | An Incomplete Assembly: They Gave Us Flames, We Made a Fire 4 |
| Wenderoth, Anna | Timebased Media Art | Campus: Instituts für Kunst/Kunstpädagogik der Universität Osnabrück |
| Wexler, Haskell | Underground | Feature Films |
| Whitney, James | Lapis | Expanded Cinema: Unburdened Recollections 1 |
| Whitney, John | Permutations | Expanded Cinema: Unburdened Recollections 1 |
| Wing Turquoise Bird, Single | Single Wing Turquoise Bird Light Show Film | Expanded Cinema: Unburdened Recollections 2 |
| Yalkut, Jud | Kusama’s Self-Obliteration | Expanded Cinema: Unburdened Recollections 2 |
| Yalkut, Jud | Beatles Electroniques | Expanded Cinema: Unburdened Recollections 2 |
| Yugantar | Tambaku Chaakila Oob Ali / Tobacco Embers | An Incomplete Assembly: They Gave Us Flames, We Made a Fire 4 |
| al-Abnoudi, Ateyyat | Deux festivals à Grenoble / Two Festivals in Grenoble | An Incomplete Assembly: What Is Needed 2 |
| de Antonio, Emile | Underground | Feature Films |
| pente, stefan | / Aloud |
Campus: HfK Bremen |